WebMay 11, 2024 · Subjective Evaluation of Orchestral Music Recording Techniques for Three-Dimensional Audio A double-blind study was conducted to evaluate a recently developed microphone technique for three-dimensional orchestral music capture, optimized for 22.2 Multichannel Sound. WebFor most classical orchestral recordings, nothing more is needed than the stereo array of choice to capture the natural sound of the musicians in the room, and many classic Deutsche Gramophone or Decca recordings would have been made with nothing more … Pro Techniques Explained Mark Mynett, talks us through prepping for and …
The Ultimate Guide to Stereo Microphone Techniques
WebFeb 18, 2024 · This entails recording everything from orchestra and choirs, to jazz combos on a regular basis, both during performance in a concert hall, as well as in a very nicely treated rehearsal space. I have experience recording bands and such where a close mic/overdub approach is most common, but nothing of this scale or method. WebAug 8, 2024 · With drum recordings, the technique works best when the mics are positioned overhead. A good place to start is to have the mic arrays set right over the drum kit about four to six feet up off the ground. You … incarcerated in minnesota
Recording Techniques for Classical Music - Routledge
WebJul 3, 2024 · Instead of a recording studio’s dry acoustics, classical productions thrive on a location recording setup where the acoustics have been thoughtfully taken into … WebFeb 17, 2024 · Spaced-mic stereo recordings are often made using omnidirectional mics and this may for example be a good choice for an orchestral recording. The spaced omnis will pick up more of the room/hall than directional mics, and that ambience, the natural blending of the instruments, is an important part of the sound of an orchestra. WebJan 1, 2006 · For a half-century, orchestral recording has been dominated by two techniques that emphasize minimal miking in front of and above the musicians: The Blumlein … in chicago city